VINTAGE TEXTILES – reworking prints

I love to live with pattern, print and colour. Layering patterns and textures is visually stimulating but also draws out our desire for being tactile. The love of touch and feel. The print’s that I collect are genuine vintage and most are archived in museums. For me they are an art form from the past, they are a direct link to a time and era. I rework the prints to offer clients and mid-century collectors  accessories that complaint their furniture collections. The fabrics are in good condition, having not been used before. I do not rework something that has been a former curtain but do have a small stock of curtains which are often used in back drops and set designs. I have a shop on Etsy where you can see what I have in stock.



Tin Horn Holiday by Saul Steinberg

Bermondsey street in London is always a joy to walk along. There are fashion designers, interior shops, good restaurants  and cafe’s On Fridays there is an antique market and the street is home to White Cube Gallery. Enough for an afternoon out which blends into an early evening tapas followed by a stroll up to tower bridge, london bridge or a view from the shard.

Its vibrancy is the perfect location for the Fashion and Textiles museum, a regular haunt of mine,  show casing small exhibitions of great designers.

Last year (Jan – May 2014)  they held and exhibition, artists and textiles.  The exhibiton showed examples of fabric designed by prominent artists for mass-produced dress fabrics in the 1950’s era.  Also representing  key European and American  art movements, enabling ordinary people to have access to  modern art. The post war era was an exciting time for manufacturing. These fabrics were mass produced for ladies wear and home furnishings. For many of us to (and to this day) it’s an opportunity to own something created by someone as great as Picasso, Matisse and Warhol. We tend to think of these artists only in the big world of art,  accessible in museums and or with a high price tag. Therefore its interesting to see that these big players were happy to be part of the new design revolution.

Garyson Perry would be an example of producing work today for all price points. From a tea towel or scarf to a museum piece.

I was looking at a version of the Tin Horn Holiday, by Saul Stiengberg,  featured in the exhibition and thought how great it would be to own a piece like this, where do you find it?  There was over 200 rare pieces in this exhibition, most have never been on show before. So you can imagine my excitement to see this full size skirt length in excellent condition on ebay, yes that’s right.  The seller says its a rare survivor and would make a wonderful framed wall panel (which it would) or an important addition to any collection or museum, which is my intention. Happy to show and tell and lend to interested parties.

Saul Stienberg was an artist and illustrator and worked for the New Yorker magazine. In 1946 he was exhibited in the critically acclaimed “Fourteen Americans” show at  MOMO and had a  retrospective in 1978 at the Whitney Museum of America, followed by a posthumous one at the Institute  for modern art in Valencia, Spain.

This piece shows both humor and satire. Illustrations depicting holidays in Palm Springs, of girls in cars wearing funky specs, rodeos and ‘weekend’ cowboys.  Neon signs, Very smart and sophisticated.

For more insightful reading to this fabric I highly recommend this blog by

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